Al(l)one (2024), 3x 68 cm ⌀, Acrylic paint, MDF, Velvet
Artworks Title (top to button): Animate Intelligence, Anatomic Intelligence, Artificial Intelligence
The three-part art series Al(l)one explores the existence and perception of plants, humans, and technology. The works trace a progression—from plant networks to neural structures to technological systems. Though often seen as separate, striking parallels emerge from an artistic view. The series asks: Are we truly separate, or part of one vast system? Al(l)one invites viewers to look beyond isolation, reflect on similarities and differences, and consider possible actions from this understanding.
Chlorocyber (2025), 200 x 89 cm, Acrylic paint, MDF, Velvet
"Chlorocyber" is an artistic work that focuses on a hybrid being composed of human, machine, and plant. The eponymous humanoid embodies a possible future—a symbiosis in which technological advancement, organic life, and human fragility intertwine. In the face of advancing mechanization, the climate crisis, and species extinction, how can we create a future in which plants are not victims but active agents of change?
Leben leben lassen (2024), 89 x 68 cm, Acrylic paint, MDF, Velvet
"Leben leben lassen" refers to three philosophical positions: Aristotle's teleological concept of life, Descartes' mechanisation of the living, and Darwin's analogy between plants and animals. Aristotle regarded plants as a lower level of nature that ultimately serves humans - a view that still characterises anthropocentrism and extractivism today. Descartes defined plants as automata that follow mechanical laws and can be controlled, which is reflected in modern genetic engineering and agricultural manipulation. Darwin recognised plants as actors with communication and intelligence, but the danger of zoomorphic projection remains, which denies plants their independent subject status.
Untitled (2025), each 110 x 30 cm, Acrylic paint, MDF
Untitled (2024), 120 x 80 cm, Acrylic paint
Fine Art